Blue Light, Red Light (Someone's There) (SSATBaB - L4)



If you have a pretty solid mixed vocal jazz group and a male singer who can channel Harry Connick, Jr., this chart will get your singers swinging like a gate! Emulating the big band sound of the original recording, the singers split their time singing background horn figures and taking over the melodic material. Tons of dynamic contrast are a highlight of the chart, and it works really well as an opener or a closer.
Fully notated piano and bass parts, drums

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